Inside a studio, a producer and director are seated before a button infested switchboard in a cramped room. Small triangular beacons hover above – some screaming “ON AIR” in soft yellow light. On the walls, interns’ computers sit in a tight row. Some house an array of wires, switches and machina, others house people – working in front massive computer screens and sweeping switchboards, seated in circular tables with microphones jutting out at them. The left wing of the office is divided into a garden of glass boxes, sometimes with signatures and stickers decorating the panes. Here, the word “HOWARD” is written – with an air of finality and mystery, sealing off Howard Stern wing. To the right, a hall is closed off by a little white door, a poster of a black fist guarding it. The office is flushed in blue and white, glass separator walls dominating every inch of the space. A massive screen plastered to the panoramic window declares “SIRIUS WELCOMES …” followed by the name of a guest. Nestled on the 36th floor of the McGraw-Hill building, the Sirius headquarters open up to a wide, spacious lobby where fresh faced employees clang away on keyboards under beaming white lights. The SiriusXM NYC headquarters are awash in a bright, quiet energy – a unique office where the people and technology mix and mingle in their work.
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